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For everyone the charm, emotion, pleasure of unknown musical territories, a gift offered by a performance made of prowess and generosity. Superb music given by a very beautiful person.

As an opening, it was the elegant sweetness of Couperin's Barricades mystérieuses in an arrangement by guitarist Antoine Fougeray that offered the audience a foretaste of the elegant finesse of this great guitarist: fluid articulation, delicate phrasing, sensitivity, impeccable technique that knows how to fade away in melodic spirals, velvety refined work... […]
Brilliance and melancholy play with the six strings of the guitar, adorn themselves, dream, stretch, unwind in pearlescent cascades before a final piece by Solès, La Folia, Variations on a theme by Sor, simply dazzling.

Between the structured melancholy of Agustín Barrios Mangoré and the more urban pulsations of Piazzolla, Feuillâtre explores the entire palette of his instrument: percussive attacks, veiled timbres, suspended resonances. Virtuosity is never an end in itself; it integrates into a discourse of great elegance, where the richness of the sound spectrum takes precedence over effect.

It is rare to encounter an artist capable of transcending the boundaries of his instrument with such elegance and inventiveness. Raphaël Feuillâtre, a prodigy of classical guitar, embodies this perfect alchemy between technical virtuosity and musical sensitivity. [...]
We are in the presence of an exceptional musician, capable of giving the guitar a new voice, both intimate and universal. [...]
On stage, his entire palette of talent is expressed: impeccable technique, virtuosity combined with expressiveness that touches the heart, and a simple and sympathetic presence that captivates. Every note sounds natural, like an evidence, while bearing the mark of deep musical reflection. [...]
Raphaël Feuillâtre is much more than a guitarist: he is a musical messenger, an artist who, through his playing, reminds us that classical guitar is a universal language, capable of speaking to all hearts. [...]

Baroque music adapted for guitar is a pure gem, as proven precisely by this Concerto that Bach himself had arranged from a violin concerto by Vivaldi! [...]
Raphaël Feuillâtre delivers the infinite variety of technical possibilities, the richness of colors, and who, in one of the evening's highlights, plays with the percussive side of his guitar! [...]
We witnessed a true journey through time, bringing together four centuries of music. Raphaël Feuillâtre did not merely interpret: he connected the eras, made the styles dialogue, and ultimately composed a true masterpiece, through living, colorful, expressive touches, an entire palette concentrated in six strings... not forgetting the body! [...]

On the occasion of his appearance at the Aix-en-Provence Easter Festival, Raphaël Feuillâtre will be on Tuesday April 7th at 8 PM, the guest of Journal du Classique.

He is among the most streamed classical musicians on platforms. Born in Djibouti and trained in France, Raphaël Feuillâtre has established himself today as the new global face of classical guitar. Acclaimed for the subtlety of his playing and the breadth of a repertoire that crosses styles and centuries, he will be the first guitarist invited to the Easter Festival of Aix-en-Provence, where he will perform this Tuesday, April 7th in a program that connects French and German baroque masters to Spanish and Latin American composers – from Bach to Piazzolla. [...]

A prodigy who became a major figure of classical guitar, a legendary work born from a childhood thrill: Raphaël Feuillâtre takes us into the universe of "Recuerdos de la Alhambra" by Francisco Tárrega to the sound of a delicate tremolo, when the guitar becomes breath... [...]

He is one of the headliners of the Via Aeterna 2025 festival. At 29, Raphaël Feuillâtre has established himself on the global classical guitar scene. He tells Le Pélerin about his journey and his already impressive career.

It is not a matter of course for a guitarist to have an exclusive contract with Deutsche Grammophon. There is currently only one guitarist in the world who has achieved this: the Frenchman Raphaël Feuillâtre. Born in 1996, he is not even 30 years old, but is already an absolute master of his craft. Two years ago, he recorded a baroque album - and proved back then that the guitar is at least on a par with the harpsichord. Now he has released a new album featuring masterpieces from the Spanish repertoire, many of them recorded on the composers' original instruments. […]

The French concert guitarist with roots in Djibouti reinterprets classical pieces with his soulful playing style. He is a guest at the moma Café with “Asturias-Leyenda” by Isaac Albéniz.

His album, devoted to Spanish serenades, has been the most listened to since the beginning of the month on the Apple Music Classical streaming application. This is a great accolade for 29-year-old Raphaël Feuillâtre, the new face of classical guitar born in Djibouti and trained in France. […]

When he got his hands on a plastic guitar when he was seven, he knew he wanted to become a guitarist: young French guitarist Raphaël Feuillâtre. Meanwhile, this rising star can also be heard regularly in the Netherlands. We asked him about his favourites in classical music. […]

The Société de guitare de Québec, which is celebrating its 20th anniversary this season, welcomed some very special guests on Friday evening. It would be an understatement to say that Franco-Djiboutian guitarist Raphaël Feuillâtre lived up to the expectations of the hundred or so music lovers packed into the Salle d'Youville in the Palais Montcalm. […]

Feuillâtre’s programme was very well constructed as pure sequences of sound. Each half began with something gentle to ease the listener into its soundworld, before becoming livelier and, at the end, more challenging. […] Impressive as that was, though, it was the baroque transcriptions that I found particularly captivating, magically so in places. The music of the eighteenth century – Bach, Couperin, Scarlatti – fitted the guitar so well that, if you didn’t know better, you would have sworn they were written for them. […] They fitted the instrument absolutely beautifully in these transcriptions and Feuillâtre played them with such a lovely sense of legato and an understatedly gentle dynamic.

Today we meet Raphaël Feuillâtre, guitarist for the prestigious Deutsche Grammophone label. He talks about his recent life as a classical guitar star, and how it all came to a head.

In 2023, Raphaël Feuillâtre ranked 2nd among the world's most listened-to classical music artists on Apple Classical. A few months ago, the French guitarist from Djibouti released his first album, "Visages baroques", on the prestigious Deutsche Grammophon label.

Deutsche Grammophon's "Yellow Lounge" has long been known for offering young, outstanding artists a platform in very special locations to make music in a relaxed atmosphere and in close contact with their audience. The organizers and audience alike were all the happier to be able to celebrate the return of the popular Yellow Lounge as a live event on Wednesday evening, this time in the "Säälchen", a small but fine location in Berlin's Friedrichshain district. And on a small show stage, framed by leather cushions for the audience to sit on, two young artists whose debut albums have just been released by Deutsche Grammophon presented themselves: María Dueñas and Raphaël Feuillâtre, warmly welcomed by the audience.

Baroque music has many facets, especially when played on the guitar. In this exclusive interview, talented young guitarist Raphaël Feuillâtre, who has just released his first album on Deutsche Grammophon, "Visages baroques", talks about his early career and the infinite possibilities of his instrument.

“My first album for Deutsche Grammophon stems from a desire to share my love for Baroque music,” says rising-star French guitarist Raphaël Feuillâtre. Visages baroques, set for release on 31 March 2023, presents music by J.S. Bach and his French contemporaries Forqueray, Rameau, Royer and Duphly. The carefully curated programme translates works mostly conceived for solo harpsichord into the colourful soundworld of the guitar. They are performed by the first guitarist signed to DG in many years, an artist hailed as “a tremendously versatile and sensitive player” (Classical Guitar).

Critical praise has been heaped on his performances of everything from early works for guitar to the instrument’s great Romantic showpieces, contemporary music and a wide range of transcriptions. Guitar Salon International recently described him as “one of the most exciting classical guitarists of his generation”, while Classical Guitar has called him “a tremendously versatile and sensitive player”. Now, at the age of 26, Raphaël Feuillâtre is signing to Deutsche Grammophon.

When French guitarist Raphaël Feuillâtre won first prize at the 2018 Guitar Foundation of America International Concert Artist Competition in Louisville, Kentucky, he was barely known in the U.S., so his victory at the country’s most important annual competition surprised many. But in Europe he was already widely respected, having competed strongly in numerous festivals there, and in 2017 winning the prestigious International Guitar Competition José Tomas–Villa de Petrer in Spain, which resulted in the recording of his excellent first album for the JSM label, Guitar Recital, which included pieces by Bach, Granados (his own arrangements of the Valses poéticos), Tansman, Assad, and Dyens.